SOUNDCRAFTVi3000

Empowering live sound mixing engineers to work more intuitively.

 

Empowering live sound mixing engineers to work more intuitively.

The Soundcraft Vi3000 features an all-new appearance with a more efficiently designed control surface, 36 faders, 24 mono/stereo busses and a sweeping black screen panel with four Vistonics II touchscreen interfaces with sleek, updated 3D graphics. 

The Soundcraft Vi3000 features an all-new appearance with a more efficiently designed control surface, 36 faders, 24 mono/stereo busses and a sweeping black screen panel with four Vistonics II touchscreen interfaces with sleek, updated 3D graphics. Because the Vi3000 has four touchscreens, it's the only console in its class that can be used by two engineers at the same time. 

The Soundcraft Vi3000 offers extensive rear panel connectivity. In addition to a full complement of analog and digital inputs and outputs, the console provides MIDI, USB, Ethernet, DVI out, Dante/MADI record feed outputs, redundant power supply and other connections. The Vi3000 has two expansion bays that can be fitted with MADI Stagebox cards, to connect multiple Soundcraft Stagebox input expander modules. The Vi3000 can also accommodate the new Soundcraft Realtime Rack, a hardware/software unit designed in collaboration with plug-in manufacturer Universal Audio that provides access to 74 industry-standard UAD plug-ins. The Vi3000 is the first Soundcraft console to incorporate a Dante interface as standard, for seamless digital audio networking with Dante-enabled devices. 

Along with its greatly expanded functionality, the Vi3000 retains all the features that have made the Soundcraft Vi Series the consoles of choice for live sound engineers worldwide, such as FaderGlow illuminated faders that display different colors according to function, the ability to store and recall snapshots and cues, compatibility with Soundcraft's ViSi app that allows remote control from an iPad, built-in Lexicon reverb/delays, dbx compression, effects and more.

Features

Virtual Vi offline set up

Set up your shows offline and load them into the Vi3000 via USB

VM2 radio mic status monitoring

Monitor the status of HiQnet-compatible AKG radio mics directly from the console surface with realtime visual

displays of battery life, RF status, mic muting and internal clipping.

Copy/Paste channel bus and FX

settings

Dedicated Copy and Paste buttons on the surface allow the settings of any channel, bus or FX section to be

copied and pasted, dramatically cutting down the set up time.

Copy/Paste processing elements

Operators can drill down to copy and paste even single processing elements, and the last paste operation can

always be quickly reversed with an UNDO function.

Settings Library

Along with a useful library of EQ and Dynamics settings, operators can store their own settings in the console or to

a USB memory stick, making initial set up and transition between shows even easier.

Sophisticated Cue List Management

Allows changes to be applied to multiple cues and recall scope to be set per snapshot.

Advanced events integration

Cues can trigger or be triggered by MIDI or GPIO events, including MIDI timecode. Harman's HiQnet Venue recall

function is tightly integrated within the Cue List.

Automated microphone mixing

Post fade inserts provide an extra access point for inserts on every channel for use with external auto mic mixing

systems.

Snapshot crossfades

Snapshot recalls can use crossfades to transition smoothly from one setting to the next.

ViSi Remote iPad® app

Control major functions and optimise your mix from anywhere in the venue. Adjust monitor levels from the stage.

All busses to stereo

All busses can be turned to stereo without tying up two busses, providing a massive 24 stereo mix capability –

perfect for mixing large monitor applications.

4 Aux send points

With a total of 4 aux send points, monitor mix engineers have the flexibility to tailor mixes more closely to

performers' requirements. Sends can be pre-EQ, precompressor, pre-fade or post-fade on a per channel/per bus

basis.

Aux VCA mode

VCA master faders can control the aux sends of their member channels on a per mix basis, with a FaderGlow

illuminating in white to indicate the VCA's operation on the current mix. Monitor engineers can retain control of

important global elements such as ambient mics while also having a monitor mix selected and adjusting groups of

sources within the current mix using the Aux-VCAs. Blue illumination of FaderGlow indicates that the VCA is

controlling the global channel level to all mixes.

Auto-increase of ambient mic levels

in monitor mixes between songs

Performers using in-ear monitors want to hear the audience between songs. No problem. Vi3000 has the facility to

externally control the Gate or Ducking processing from a bus in the console, so all you have to do is insert a

ducker on an ambient mic with an external source of the LR bus or a spare bus, and the audience level increases

automatically when the performers stop playing.

Specifications

Frequency Response

Stagebox Mic input to Line output

+0/-1dB, 20Hz-20kHz

AES/EBU In to AES/EBU Out

+0/-0.2dB, 20Hz-20kHz

T.H.D. & NOISE

Stagebox Mic In (min gain) to Local Line Out

<0.003% @ 1kHz

Stagebox Mic In (max gain) to Local Line Out

<0.020% @ 1kHz

Local Line In to Line Out

<0.003% @ 1kHz

Mic Input E.I.N.

<-126dBu (150Ω source)

22Hz-22kHz bandwidth, unweighted 

Residual Noise

-91dBu

Stagebox line output; no inputs routed, Mix fader @0dB 

CMRR

 

80dB @ 1kHz

Sampling Frequency

 

48kHz

Latency

Stagebox Mic Input to Local Line output

< 2ms @48kHz

AES/EBU Input Sample Rate

 

32–108kHz (with SRC enabled)

DSP Resolution

 

40-bit floating point

Internal Clock 

Accuracy

< +/- 50ppm

Jitter

< +/- 2ns

External Sync

 

BNC Wordclock

Input & Output Levels 

Mic Inputs

+28dBu max

Line Inputs

+22dBu max

Line Outputs

+22dBu max

Nominal Operating Level

+4dBu (-18dBFS)

Input & Output Impedances

Mic Inputs

2k7Ω

All other analogue Inputs

>10kΩ

Line Outputs

<75Ω

AES/EBU Outputs

110Ω

Oscillator

 

20Hz to 20kHz/Pink/White Noise, variable level

Stagebox HP Filter

80Hz fixed, 12dB per octave

Channel HP Filter

20Hz-600Hz, 18dB per octave

Channel LP Filter

1kHz-20kHz, 18dB per octave

EQ (Inputs and Bus Outputs)

HF

20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving

Hi-Mid

20Hz-20kHz, +/-18dB, Q=0.3-8.7

Lo-Mid

20Hz-20kHz, +/-18dB, Q=0.3-8.7

LF

20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving

Metering

Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable

from 0-2s.

Mains Voltage Operating Range

 

90-264V, 47-63Hz, auto-ranging

Mains Power Consumption

 

250W

Temperature/Humidity Range 

Operating Temperature Range

0°C – 45°C (32°F – 113°F)

Relative Humidity

0% – 90%, non-condensing Ta=40°C (104°F)

Storage Temperature Range

-20°C – 60°C (-4°F – 140°F)

Net Weight

 

54.0kg (119.0lbs)

Unit Dimensions (HxWxD)

 

595mm (23.5") x 1580mm (62.2") x 950mm (37.4")

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